Orphan, 2009
In
the opening sequence, an enigma is introduced through various shots of a
character’s facial features without giving their identity away, giving enough
for the audience to question who they are watching. From these shots we can see
that the character is, quite carelessly, applying make-up. This implies that
the character shouldn’t be using make up yet because of the age she appears to
be, however is mature enough to know how to. She focusses primarily on her eyes
and lips with the make-up; both considered to be attractive features on a
woman. By accentuating these particular features, it gives us an idea of her intentions.
She uses red lipstick and nail varnish; red connotes lust and seduction. However,
to the audience it connotes more of a thirst for blood and danger. The white
rose is symbolic of the antagonist’s innocent-looking exterior. It then starts
to wilt and die which represents the unveiling of her true intentions and
identity; she wasn’t what she appeared to be.
The
edit is quite craggy and choppy which effectively gives the audience a feeling
of unease and discomfort. This, in effect, foreshadows the film’s plot
structure and its genre: thriller. Whereas, if the shots were smooth, it could
convey a different type of film. This also gives us an insight into the
antagonist’s thoughts; scattered and hectic.
The
music is quite tense and sinister. A piano is abruptly introduced at the start
and the same few notes are played repeatedly. This minimalistic arrangement creates a
suspenseful feel to accompany the images, making it more intense. A xylophone
plays a few high notes in the beginning and is commonly known as a child’s
instrument as it is quite simple to play. There is a play on innocence and danger
from this. There is also a woman’s voice softly singing in the background.
Although it doesn’t overpower the music, it has quite an impact in creating a
mood. This could also represent the female antagonist’s power.
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