In what ways does your media product use, develop or challenge conventions & forms of real media products?
We portrayed several conventions of the thriller genre into
our film, specifically that of the psychological subgenre. Looking into the standard
opening sequence of thrillers such as Dawn
of the Dead, Die Hard, I Am Legend etc usually consist of fast-paced
editing, setting up an enigma, establishing a narrative and introducing the main
characters (usually a male protagonist). Simplicity seems to be a key
convention of thriller openings. However, psychological thrillers look into the
mental and emotional state of a person and how it is perceived in society.
Taking into consideration that it is one of the more emotionally and
intellectually demanding of the subgenres, we thought to create more of a
complex structure for our opening.
One of the conventions our film followed is the theme of the
main character’s battling their mental illness and attempting to escape
isolation. For example, elements of loneliness and isolation are portrayed in
the film I Am Legend (2007). Prior to
the reveal of their mental state, the characters surrounding them and the
audience are left completely unaware of this. Suggestions of the character’s
mental irregularities are presented along the way in small amounts and become
more frequent up until the peak of their malicious intentions. Developing this
concept, our film depicts one of the more low-profile mental illnesses and how
it is easy for the characters to dismiss their unusual behavioural tics.
The presentation of our titles were minimalistic and simple.
The convention we followed was to display the text over a black screen, which
drew attention to the music and sounds that sets the overall tone of the film. Applying
and developing this idea, I added a clip of Kelsie chuckling spitefully (after
adjusting the colour levels) to accompany my film title ‘A Demon within Us’
after its sustained appearance on a plain black screen. The intended effect of
this was to startle and make the audience question what they are watching.
Something commonly used in terms of editing are jump cuts
and rough, choppy cuts. I used sharp, choppy cuts to disorientate the audience.
Television
series, 24, introduced
the split-screen allowing us to watch from different characters’ perspectives
of the same situation at one time.

Screenshots from political thriller, 24.
We portrayed several conventions of the thriller genre into our film, specifically that of the psychological subgenre. Looking into the standard opening sequence of thrillers such as Dawn of the Dead, Die Hard, I Am Legend etc usually consist of fast-paced editing, setting up an enigma, establishing a narrative and introducing the main characters (usually a male protagonist). Simplicity seems to be a key convention of thriller openings. However, psychological thrillers look into the mental and emotional state of a person and how it is perceived in society. Taking into consideration that it is one of the more emotionally and intellectually demanding of the subgenres, we thought to create more of a complex structure for our opening.
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Screenshots from political thriller, 24. |
I used the split-screen technique, distorting the typical
chronological structures of films, which challenges the conventions of
thrillers. I did this to portray the contrast between two distinct types of
people, foreshadowing conflict between them.
![]() |
Screenshots from my film opening. |
We followed a number of conventions of thrillers in the
music and sound aspect. There is usually little to no dialogue in thriller
openings as it is left to non-diegetic music and background sounds/noises to
create the appropriate atmosphere for the film. This also allows the audience
to develop their own perceptions of the characters and locations portrayed on
the screen. We replicated this concept into our film as we felt it was suited
to the film’s narrative and structure.
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